The Water's Edge by Iza Łysoń

The Water's Edge by Iza Łysoń

  • About: 6 months ago
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The Water's Edge by Iza Łysoń More photos: https://www.facebook.com/IzaLysonArts Iza Łysoń: Photos

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Stylist ... by Marc Hayden- Exclusive photography
@noctismagazine Model @lena_eiram Agency @nevsmodels HMUA @frankienealmakeup Stylist ... by Marc Hayden 6 months ago
@noctismagazine Model @lena_eiram Agency @nevsmodels HMUA @frankienealmakeup Stylist ... by Marc Hayden via Instagram http://ift.tt/2oASBMd Marc Hayden: Photos
Close-up of man using smart phone by Carina König- Exclusive photography
Close-up of man using smart phone by Carina König 6 months ago
Close-up of man using smart phone by Carina König Close-up of man using smart phone on promenade Carina König: Photos
red sky by Selim Dolu- Exclusive photography
red sky by Selim Dolu 6 months ago
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We used to wait by Alessio Albi 6 months ago
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Fishermen by yo fauzan- Exclusive photography
Fishermen by yo fauzan 6 months ago
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"Adrift" by Eric Bennett 6 months ago
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Layers by Jeff O'Neal- Exclusive photography
Layers by Jeff O'Neal 6 months ago
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Wanderer by Alesya Osadchaya- Exclusive photography
Wanderer by Alesya Osadchaya 6 months ago
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That magic light, Patagonia by Carlos Guevara V.- Exclusive photography
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Fire in the Sky by Robert Postma- Exclusive photography
Fire in the Sky by Robert Postma 6 months ago
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Peaceful by Fahmi Bhs- Exclusive photography
Peaceful by Fahmi Bhs 6 months ago
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Lara Bingle by Patric Shaw- Exclusive photography
Lara Bingle by Patric Shaw 6 months ago
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Leg-rowing fisherman by Jani Uljas- Exclusive photography
Leg-rowing fisherman by Jani Uljas 6 months ago
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Seoul, 2015 by Ken  Shin- Exclusive photography
Seoul, 2015 by Ken Shin 6 months ago
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Been there by Simas Lin- Exclusive photography
Been there by Simas Lin 6 months ago
Been there by Simas Lin Due to a technological advances photography nowadays cannot be considered the unconditional documentation tool and photographer isn‘t anymore a necessity for it to happen. Thanks to such tools like satellites, drones, street view, etc., it‘s not even necessary to get on location to capture it. As a consequence, every landscape photograph can be considered just a senseless digital record made by someone. Despite being a visual mark, artificial lightning in landscape photography becomes a sensual link between the viewer and photographer. I wanted to visit the spookiest places in my city and convey the atmosphere of explorations through the totally different approach. Project ‘Been there’ explores the industrial periphery of Vilnius at night. A series of photos depict the intersection of time and space, which is very intriguing yet so scary for a random person to explore. The red light, creating the surreal, cinematographic plot is used to hyperbolize the senses that are triggered by those places. Vibrant light becomes a visual expression of the mental state that I was accompanied by while being there. Simas Lin: Photos